Marcel Proust, La Prisonnière, part 1/2 (AUG-SEP 2025)
Monday 12 pm – 1:30 pm (NY time) / 8 weeks / August 11 – September 29, 2025.
Advanced (B2) and Expert levels (C1/C2).
22 pages to read each week in average. 174 pages in total.
8 weeks. 12 hours in total.
10 students, sometimes a bit more, up to 12.
We will read the pocket edition published by Gallimard in the collection "folio classique”. Kindle version are also possible. This class is open to new readers of Proust and is designed for a slow and thorough reading experience. We will continue with the second part of the volume in the fall, from Octobre to December.
Monday 12 pm – 1:30 pm (NY time) / 8 weeks / August 11 – September 29, 2025.
Advanced (B2) and Expert levels (C1/C2).
22 pages to read each week in average. 174 pages in total.
8 weeks. 12 hours in total.
10 students, sometimes a bit more, up to 12.
We will read the pocket edition published by Gallimard in the collection "folio classique”. Kindle version are also possible. This class is open to new readers of Proust and is designed for a slow and thorough reading experience. We will continue with the second part of the volume in the fall, from Octobre to December.
Monday 12 pm – 1:30 pm (NY time) / 8 weeks / August 11 – September 29, 2025.
Advanced (B2) and Expert levels (C1/C2).
22 pages to read each week in average. 174 pages in total.
8 weeks. 12 hours in total.
10 students, sometimes a bit more, up to 12.
We will read the pocket edition published by Gallimard in the collection "folio classique”. Kindle version are also possible. This class is open to new readers of Proust and is designed for a slow and thorough reading experience. We will continue with the second part of the volume in the fall, from Octobre to December.
Marcel Proust’s La Prisonnière, the fifth volume of À la recherche du temps perdu, captures the tense and claustrophobic dynamics of a love turned into obsession. Having installed Albertine in his Paris apartment, the Narrator watches her constantly, fearing her desire for others, both men and women. In his effort to hold on to her, he confines her — but also himself — within a closed and anxious domestic space. The novel unfolds as a study of the oppressive mechanics of love, revealing how desire, when gripped by mistrust, becomes both possessive and self-destructive. Albertine, the “captive” in this arrangement, is also her captor’s captor: her freedom curtailed, her power over the Narrator only grows in the darkness of their isolation. Proust transforms the home into a psychological battleground, where jealousy breeds a kind of slow suffocation. The Narrator, once a master of observation, finds himself caught in the very labyrinth he has constructed, unable to escape the tightening grip of his own compulsions.
Yet La Prisonnière is far from a two-character drama. The broader social world of the novel continues to unfold: the Verdurins’ salon takes on a new rigidity, and the complex entanglements between Baron de Charlus and the violinist Morel intensify, blending theatricality, domination, and emotional dependence. These parallel narratives mirror and distort the Narrator’s own experiences, offering ironic, sometimes grotesque counterpoints to his increasingly desperate attempts at control.
Ultimately, La Prisonnière is one of the most striking meditations on the paradoxes of love in literature — a love that seeks possession and results in loss, a passion that consumes itself. As the Narrator’s world narrows, we witness a melancholic dance of mutual captivity, where power circulates not through freedom but through silence, suspicion, and the longing for an impossible transparency. In this way, Proust’s novel not only offers a profound exploration of human attachment but also serves as a mirror, reflecting the ways we imprison ourselves in our own desires.
